A growing number of institutions are creating digital collections of historical costumes, but the same cannot be said for theatrical costumes. This form of non-traditional academic scholarship continues to go unmarked in the world of repositories with the exception of small collections of production stills. While a joint effort, there are separate elements of theatre (scenery, costumes, etc.) that should be documented with context for study and recognition to their corresponding designer(s). Constructed garments themselves are often altered and reused for subsequent performances making these pieces quite ephemeral in nature. This collection marks the beginning of Boise State University’s digitized costume collection that brings recognition not only to the designer, but also to the institution’s contribution to the theatre arts. The repository provides a means of officially publishing these records, which include not only photographs of select finished garments, but also renderings created by the costume designer himself.