Specializations
- Indigenous Systems of Knowledge
- Native American Art and Artifacts
- Tribal Museums and Indigenous Curation
Research Area
Courses
- LIS 582 - Community Engagement Strategies In Information Science
Biography
Miranda Belarde-Lewis (Zuni/Tlingit) is an associate professor of North American Indigenous Knowledge at the iSchool and an independent curator. Indigenous knowledge systems are central to her work as she examines the role of social media and the arts in protecting, documenting and perpetuating Native information and knowledge. Her work highlights and celebrate Native artists, their processes, and the exquisite pieces they create. She has worked with tribal, city, state and federal museums to create Native-focused educational programming, publications and art exhibitions. Belarde-Lewis holds a B.A. in Cultural Anthropology from the University of Arizona, an M.A. in Museology and Ph.D. in Information Science from the University of Washington.
Education
- Ph D, Information Science, University of Washington, 2013
- MA, Museology, University of Washington, 2007
- BA, Cultural Anthropology, University of Arizona, 2002
Awards
- Joe and Jill McKinstry Endowed Faculty Fellowship for the study of Native North American Indigenous Knowledge, Inaugural Fellow - Joe and Jill McKinstry, 2020-2024
- Project Award for the Indigenous Curation Speaker Series - Center for American Indian and Indigenous Studies, 2019-2020
- 2020 Alfred H. Barr Jr. Award “for an especially distinguished catalogue in the history of art.” - College Art Association, 2020
- 2019 PROSE Subject Category Winner for Nature’s Nations: Humanities – Art Exhibitions - Association of American Publishers, 2019
- Best Publication of 2018 (by a larger mid-size museum) - Association of Art Museum Curators, 2018
- Visiting Artist Grant - Bill Holm Center for the Study of Northwest Coast. Burke Museum of Natural History and Culture, 2016
- Native American/Native Hawaiian Museum and Cultural Institution Grant - Institute of Museum and Library Services. Suquamish Museum., 2015
- Skolnick Scholar - Skolnick Foundation, 2012-2013
- Bank of America Minority Dissertation Writing Fellowship - Graduate Opportunities-Minority Achievement Program. University of Washington., 2013
- Best Group Paper - 8th Annual iConference, 2011
- Google Scholar - Best Single Author Paper - 8th Annual iConference, 2011
- Intel Scholar - American Indian Science and Engineering Society, 2010
- Bank of America First Year Fellowship - Graduate Opportunities-Minority Achievement Program. University of Washington., 2008
- Honoring Alaska's Indigenous Literature Award - Honoring Alaska's Indigenous Literature, 2008
- International Indigenous Ambassador - Americans for Indian Opportunity, 2006-2007
Memberships
- Native American Art Studies Association Board of Directors
- iNative, iSchool, University of Washington
- College Arts Association
Publications and Contributions
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Conference PaperStewarding Contextual Integrity in Data Services in Indigenous Scholarship (2024)Proceedings of the Association for Information Science and Technology, 61(1), pp. 626-631
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Book, Chapter in Scholarly Book-NewA:shiwi Art History: The Strength of Pueblo Place (2023)The Routledge Companion to Indigenous Art Histories in the United States and Canada
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Exhibition CatalogSharing Honors and Burdens (2023)Renwick Invitational 2023
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Research ReportIndigenous data case study: Toward contextual integrity for Indigenous data (2022)
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Book, Chapter in Non-Scholarly Book-NewNative Philosophies and Relationality in ATLA: It's (Lion) Turtles All the Way Down (2022)Avatar - The Last Airbender and Philosophy Wisdom from Aang to Zuko - The Blackwell Philosophy and Pop Culture Series
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Art PublicationTalkin’ Money: Indian Market Economics (2022)Indian Market Centennial Artist Directory and Booth Guide, Southwestern Association for Indian Arts
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Book, Chapter in Scholarly Book-NewThe (Time) Line in the Sand (2022)Indigenous Motherhood in the Academy
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Art PublicationZuni Ceramic Artist: Noreen Simplicio (2022)First American Art Magazine,, pp. 82-87
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Art Exhibition CatalogExploring Relationality Through Sho Sho Esquiro’s Fashion (2021)Sho Sho Esquiro: Doctrine of Discovery, pp. 12-19
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Art Exhibition CatalogQuestions (2021)Dyani White Hawk: See Her
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Book, Chapter in Scholarly Book-NewTribal Critical Race Theory in Zuni Pueblo: Information Access in a Cautious Community (2021)Knowledge Justice: Disrupting Library and Information Studies Through Critical Race Theory
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Art Exhibition CatalogVisiting: A Conversation Between Sho Sho Esquiro and Miranda Belarde-Lewis (2021)Sho Sho Esquiro: Doctrine of Discovery., pp. 50-59
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Art Exhibition Catalog“Sho Sho Esquiro: Doctrine of Discovery” Exhibition Wall Text and Labels (2021)Sho Sho Esquiro: Doctrine of Discovery, pp. 20-46
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Journal Article, Academic Journal"Of course, Data Can Never Fully Represent Reality": Assessing the Relationship between Indigenous Data and IK, TEK, and TK” (2020)Human Biology, 163(Unknown Issue)
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Journal Article, Academic JournalCentering Relationality: A Conceptual Model to Advance Indigenous Knowledge Organization Practices (2020)Knowledge Organization, 47(5)
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Magazine/Trade PublicationMarianne Nicolson (2020)Aperture Magazine,
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Book, Scholarly-NewPreston Singletary: Raven and the Box of Daylight (2019)ISBN/ISSN: 9780972664950
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Magazine/Trade PublicationThe yəhaw Phenomenon: Lifting the Arts Together in the Puget Sound (2019)First American Art Magazine,
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Magazine/Trade PublicationThere are many versions of the Tlingit ‘Raven’ story, but its truth and hopeful message are universal (2019)Pacific NW Magazine, Seattle Times
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Magazine/Trade PublicationSeven Directions (2018)First American Art Magazine, 21(Unknown Issue), pp. 16-19
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Book, Chapter in Scholarly Book-NewWearing the Wealth of the Land: Chilkat Robes and Their Connection to Place (2018)Nature’s Nations: American Art and Environment, pp. 178-187
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Magazine/Trade PublicationZuni Jeweler and Lapidarian: Colin Coonsis (2016)First American Art Magazine,, pp. 64-68
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Magazine/Trade PublicationExhibit Review: Here & Now: Native Artists Inspired (2015)First American Art Magazine,, pp. 57-58
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Journal Article, Academic JournalImagining: Creating Spaces for Indigenous Ontologies (2015)Cataloging & Classification Quarterly, 53(5-6), pp. 677-702
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Book ReviewReview: Native Art of the Northwest Coast: A History of Changing Ideas (2015)Museum Anthropology, 38(Unknown Issue), pp. 48-49
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Conference PosterNative Systems of Knowledge (poster) (2014)Research Fair 2014
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Journal Article, Academic JournalNo Photography Allowed: Problematic Photographs of Sacred Objects (2013)Museum Anthropology, 36(2), pp. 104-104
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Conference PaperA vision for information visualization in information science (2011)Proceedings of the 2011 iConference, pp. 531-537
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Conference PaperSharing the private in public: indigenous cultural property and online media (2011)Proceedings of the 2011 iConference, pp. 16-24
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Book, Non-Scholarly-NewMeet Lydia: A Native Girl from Southeast Alaska (2004)
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Art Exhibition CatalogThe Tlingit Wool Weaving of Lily Hope and Ursala Hudson: Hand Work, Heart Work, Art WorkSharing Honors and Burdens: The Renwick Invitational, Renwick Gallery, Smithsonian Institution, pp. 43-64
Presentations
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Hear Our Stories: A Call to Action for Indigenizing Information Science Educational Spaces
(2024)
The Association for Library and Information Science Education (ALISE) Conference - Portland, OR
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Hear Our Stories: A Call to Action for Indigenizing Information Science Educational Spaces panel
(2024)
The Association for Library and Information Science Education (ALISE) Conference - Portland, Oregon
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Keywords
(2024)
Venice Indigenous Arts School, hosted by the Institute of American Indian Arts - Santa Fe, New Mexico
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Visual Sovereignty in an Informatic Age
(2024)
2024 Lee Frank Lecture in Art History - Swarthmore, PA
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Building Cultural Information Bridges
(2023)
Closing Colloquium for the Advancing Pathways for Longterm Collaborations at Dartmouth - Hanover, New Hampshire
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Implementing Data Services for Indigenous Scholarship and Sovereignty
(2023)
International Association for Social Science Information Service and Technology Conference (IASSIST 2023) - Philadelphia, Pennsylvania
-
Native Art: Holding Our Futures in Our Hands
(2023)
50th Annual Native Studies Conference, Northeastern State University. - Tahlequah, OK
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The Art of Time: Documenting History Through Native Art
(2023)
Humanities Washington - Virtual
-
Uncovering Colonialism: The Textiles of Sho Sho Esquiro
(2023)
College Arts Association - New York, NY
-
Advancing Pathways to Long-Term Collaboration
(2022)
Hood Museum of Art - Virtual
-
Care, Curation, and Collaboration: Centering Native Values in Museum Work
(2022)
UW Museology: Museology Speakers Series - Seattle, WA
-
Data Services for Indigenous Scholarship and Sovereignty (DSISS) project
(2022)
Seattle, WA
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Indigenous Curation: Outlining the Field
(2022)
Center for American Indian and Indigenous Studies, University of Washington - Seattle, WA
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iSchool Alumni event presenter
(2022)
American Library Association - Washington, DC
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Making the Private Public: Technology, Access, and the Law in Cultural Heritage Presentation and Preservation
(2022)
Mellon - Virtual
-
Repositioning Native Art in the 21st Century Museum
(2022)
The Metropolitan Museum of Art - New York City, NY
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Towards Peace and Balance: Our Arts as Historical Documents
(2022)
Sharing Our Knowledge clan conference - Wrangell, AK
-
Beadwork to Video Games: Skarù·ręʔ Design in Media Making Through Time
(2021)
Native American Art Studies Association - Virtual
-
Conversations with Indigenous Information Scientists: Relationality, Research, and Pedagogy
(2021)
Annual Native American and Indigenous Studies Association Conference - Virtual
-
Curating in Conversation: RYAN! Feddersen and Miranda Belarde-Lewis
(2021)
Burke Museum of Natural History and Culture - Seattle, WA
-
Designing for Community: In Conversation with Storme Webber and Miranda Belarde-Lewis
(2021)
Harvard Indigenous Design Collective, Harvard University - Virtual
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Native Creatives and the Digital Intrusion
(2021)
Internet Studies Lecture Series, Western Washington University - Virtual
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Tribal Critical Race Theory in Zuni Pueblo: Information Access in a Cautious Community
(2021)
Mellon Fellows at Dartmouth's Library and Hood Museum of Art - Virtual
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Writing for Depth in the White Cube
(2021)
We Have Words for Art Virtual Writing Symposium, First American Art Magazine - Virtual
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Artivism: The Role of Art and Social Media in the Movement
(2020)
Art and Social Justice Visiting Artists and Scholars Series, University of Arizona - Tucson, AZ
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Embracing a Complicated Relationship: Indigenous Museum Practices
(2020)
Annual Director’s Lecture, Neubauer Collegium for Culture and Society - Virtual
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Raven and the Box of Daylight
(2020)
Artist and Curator’s Talk, Glass Art Society - Virtual
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Raven and the Box of Daylight
(2020)
Artist and Curator’s Talk, Wichita Art Museum - Wichita, Kansas
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The Art of Intrusion: How Native Creatives Incorporate and Address Technology
(2020)
Native and Indigenous Studies Association - Virtual - Cancelled
-
The Art of Intrusion: How Native Creatives Incorporate and Address Technology (Cancelled due to Covid-19)
(2020)
Native and Indigenous Studies Association - Toronto, Ontario
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Advancing Science and Innovation Through Science and Technology
(2019)
Native and Indigenous Studies Association (NAISA) conference - Hamilton, New Zealand
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Archiving Indigenous Information and Knowledge: Intent and Practice while Implementing the Protocols for Native American Materials
(2019)
Arizona Archives Summit - Phoenix, Arizona
-
Being Indigenous Online: Traversing the Terrain of Social Media
(2019)
Native and Indigenous Studies Association (NAISA) conference - Hamilton, New Zealand
-
Coffee with the Curator for the exhibit "Preston Singletary: Raven and the Box of Daylight"
(2019)
Museum of Glass - Tacoma, WA
-
Creating Survivance: Art and Indigenous Wellness
(2019)
Henry Art Gallery: Critical Issues Lecture Series - Seattle, WA
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Indigenous Curation
(2019)
Research Symposium, The iSchool, University of Washington - Seattle, WA
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Indigenous Systems of Knowledge at the Intersections of the Information Science Field and Academia
(2019)
HASTAC 2019 Decolonizing Technologies, Reprogramming Education Conference - Vancouver, British Columbia
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Intersectional Art: Native Art in Context
(2019)
Seattle Art Museum - Seattle, Washington
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Peabody Essex Museum's Native American Fellowship
(2019)
Peabody Essex Museum's Native American Fellowship - Salem, MA
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Rainier Club's annual Laureate Dinner
(2019)
Rainier Club's annual Laureate Dinner - Seattle, WA
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Working with Mainstream Museums
(2019)
Peabody Essex Museum, Native American Fellowship Program - Salem, MA
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Beyond the Frame, Tribal Perspectives
(2018)
Association of King County Historic Organizations - Seattle, Washington
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Curtis is Complicated
(2018)
Photographic Center Northwest at Seattle University - Seattle, WA
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Indigenous Curation Methods
(2018)
Peabody Essex Museum, Native American Fellowship Program - Salem, Massachusetts
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On Edward Curtis images at "Double Exposure"
(2018)
Seattle Art Museum - Seattle, WA
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Opening of "The Brink: Demian Diné Yazhi"
(2018)
Henry Gallery of Art - Seattle, WA
-
The Past, Present, and Future of International Indigenous Curatorial Practices
(2018)
Native American and Indigenous Studies Association Annual Meeting - Los Angeles, CA
-
The Unexpected Art of Alison Marks
(2018)
The Frye Art Museum - Seattle, Washington
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Indigenous Glass Art: Ancient Forms, Modern Materials
(2017)
Dr. Arnold and Doris Roland Distinguished Speaker. Arizona State Museum - Tucson, Arizona
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Leadership and Education for Tribal Museum Professionals
(2017)
Peabody Essex Museum's Native American Fellowship Program - Tulsa, Oklahoma
-
Raven Strikes Again: Building One Creation Story From Many
(2017)
Native American Art Studies Association - Tulsa, Oklahoma
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Taking Care of Tribal Information
(2017)
Nisqually Archives/Library Annual Retreat - Suquamish, Washington
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2nd Annual Native American Art History Lecture Series
(2016)
The Frye Museum of Art - Seattle, Washington
-
1st Annual Native American Art History Lecture Series
(2015)
The Frye Museum of Art - Seattle, Washington
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Archival Interventions: Writing Visual Histories
(2015)
Native American Art Studies Association - Santa Fe, New Mexico
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Keynote address
(2015)
Great Lakes Culture Keepers Annual Conference - Ziibiwing Center, Mt. Pleasant, Michigan
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Intellectual Property Rights and Native Cultural Institutions
(2014)
Great Lakes Culture Keepers Annual Conference - Ziibiwing Center, Mt. Pleasant, Michigan
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Water and Associated Cultural Properties
(2013)
5th Annual Native and Indigenous Studies Association Conference - Saskatoon, Saskatchewan
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But the Library of Congress Has These! Restricting Photographs in a Previously Exposed Pueblo Community
(2012)
4th Annual Native and Indigenous Studies Association Conference - Uncasville, Connecticut
-
A Vision for Information Visualization in Information Science
(2011)
8th Annual iConference - Seattle, Washington
-
A:shiwi Aesthetics: Defining Ourselves
(2011)
Essentially Indigenous? Indigenous Arts Symposium, National Museum of the American Indian - New York, New York
-
Information as a Critical Analytic for Indigenous Scholars
(2011)
3rd Annual Native and Indigenous Studies Association Conference - Sacramento, California
-
Information: A Critical Analytic for Indigenous Scholars
(2011)
Native American and Indigenous Studies Association - Sacramento, CA
-
Sharing the Private in Public: Indigenous Cultural Property and Online Media
(2011)
8th Annual iConference - Seattle, Washington
-
A:shiwi Arts: A Zuni Knowledge System
(2010)
4th Annual Vine Deloria Jr. Symposium, Northwest Indian College - Lummi, Washington
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Information as a Critical Tribal Asset
(2010)
2010 Mid-Year National Congress of American Indians - Rapid City, South Dakota
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Native Systems of Knowledge: Indigenous Methodologies in Information Science
(2010)
Champaign-Urbana, IL
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Native Systems of Knowledge: Indigenous Methodologies in Information Science
(2010)
7th Annual iConference - Urbana-Champaign, Illinois
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Embodiments of Sovereignty
(2009)
9th Annual Symposium of Native Scholarship, Native American Students in Advanced Academia, University of Washington - Seattle, Washington
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Why Is The Customer Right?
(2005)
Hemispheric Institute of Performance and Politics - Belo Horizante, Brazil